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Photo Of The Day By Kacy Joshi

Today’s Photo Of The Day is “Peaks Aglow” by Kacy Joshi. Location: Banff National Park in Alberta, Canada.
Photo By Kacy Joshi

Today’s Photo Of The Day is “Peaks Aglow” by Kacy Joshi. Location: Banff National Park in Alberta, Canada.

Joshi describes the image as, “First morning light rays illuminating Moraine Lake and the Valley of the Ten Peaks.”

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

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Source: Outdoor Photography
Photo Of The Day By Kacy Joshi

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Photographer Profile: Teri Franzen

Photographer Profile: Teri Franzen
Long Island, NY. I encountered this young Piping Plover during very harsh mid-day light. Its size was that of a cotton ball with legs. And it was very quick. When I first I spotted this one and its sibling I backed off and sat low on the sand, giving it room to forage for food. And, eventually, it actually ran in my direction. The harsh lighting made shadows tough and the speed of movement made it difficult to stay focused. But in this frame, the young shorebird was running up to a brim of sand. The wide open aperture allowed the foreground sand to become an ethereal haze of white. Canon 1DX II, 500mm II lens, 1.4x III TC. Exposure: f/5.6, 1/3200 sec., ISO 200.

Photographer: Teri Franzen

Part-Time Professional Photographer

Photographic Specialties:

  • Landscape
  • Wildlife
  • Travel
  • Photojournalism
  • Macro
  • Other

Biography

Based in Endicott, NY., I am a wildlife photographer and member of the Waterman Conservation Education Center board of directors. My emphasis is in promoting awareness of the natural beauty that surrounds us through photography and stories.

Website

www.terifranzenphotography.com

Facebook

Twitter

Instagram

Flickr

Photographer Profile: Teri Franzen
Pennsylvania. I photographed this adult female during a second banding attempt of her young nestlings. During the first banding attempt, one of the climbers had captured a quick photo of one of the adults perched on a branch jutting out from the cliff. During the second banding attempt, weeks later, I sought out that branch and waited for one of the adult Peregrines to land on that branch. It wasn’t long at all until the female flew in. The area had been shaded, but just as she approached the branch she flew into a small pocket of light, giving this image a rich, dark background. Canon 1DX II, 500mm II lens, 1.4x TC. Exposure: f/4, 1/2000 sec., ISO 400.
Photographer Profile: Teri Franzen
Johnson City, NY. This Merlin had captured a pigeon outside a local business. When I first found learned of this from the business owner I tossed my gear into my jeep and drove 20 minutes to get there. By the time I finally arrived the pigeon was nearly frozen. I had exactly six minutes from the first to the last. I had thought through my exposures during the drive, giving me more time to shoot upon arrival. At first, there had been a distracting railing in the shots. I repositioned to the opposite side of the Merlin to found a clean background. From there captured a handful of images before she left. I then examined the remains of the pigeon to find it frozen solid. The meal was over. Canon 1DX II, 500mm II lens, 1.4x III TC. Exposure: f/5.6, 1/1250 sec., ISO 800.
Photographer Profile: Teri Franzen
Owego, NY. Wood Ducks are extremely difficult to photograph in upstate New York. They are very wary and will not stick around if they see anyone within 200 yards. This image required full camouflage clothing and a makeshift blind. Prior to the encounter, I had spent months researching Wood Ducks behaviors. I had made a list of behaviors I wanted to witness. This courtship grooming image was high on my list for springtime in 2015. After many hours in my blind, I was finally able to capture this one afternoon in late April. Canon 7D II, 500mm II lens, 1.4x III TC. Exposure: f/7.1, 1/1250 sec., ISO 500.

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Source: Outdoor Photography
Photographer Profile: Teri Franzen

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Photo Of The Day By Ingrid Elizabeth

Today’s Photo Of The Day is “A Feathered Friend” by Ingrid Elizabeth. Location: Prescott, Arizona.
Photo By Ingrid Elizabeth

Today’s Photo Of The Day is “A Feathered Friend” by Ingrid Elizabeth. Location: Prescott, Arizona.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Ingrid Elizabeth appeared first on Outdoor Photographer.


Source: Outdoor Photography
Photo Of The Day By Ingrid Elizabeth

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Kitenden Wildlife Corridor

Elephant and Kilimanjaro, Kitenden Wildlife Corridor
An elephant moves from the national park to the safe hills of Kilimanjaro.

Had I been less determined, the look on Sam’s face would have given me great doubt about my planned adventure. “You’re going to Kitenden? You know it’s…thick?” Sam is a well-respected guide and shareholder with the high-end safari outfitter Ker & Downey and knows the Kitenden Wildlife Corridor and the Amboseli region well. He didn’t see this newly opened protected area as the first item on most guests’ list. I was determined to prove him wrong.

The story behind the Kitenden Wildlife Corridor was the biggest draw. Elephants have been following the same paths for generations, traveling hundreds of miles in their daily quest for water, food and safety. As the human population has grown, we have built roads and buildings along these same routes—resulting in inevitable human-wildlife conflict that generally doesn’t end well for either party.

Each morning, most of the 1,600 elephants that occupy the Amboseli eco-region move from the slopes of Kilimanjaro to the national park, an extensive lake bed with swamps, lush green vegetation and one of the best track records for elephant protection. Each evening, they return to the mountain. Until recently, there was a gap between the park and the mountain, with villages starting to form along the way, increasing problems for both elephants and people. This was the problem that the Kitenden Conservancy solves.

East Africa, while a paradise for tourists, faces real economic challenges for its citizens. The wealth of the local tribes, who own much of the land, is predominantly demonstrated through their cattle, goat and sheep herds, all of which require significant grazing territory. Many of the tribes are traditionally nomadic, making it difficult to define borders and barriers between wildlife and the flocks. Families are fed from village gardens. If an elephant tramples your garden or a lion kills your livestock, your family may go hungry.

Elephants in search of shade and food, Kitenden Wildlife Corridor
A bull leads his herd of females in search of shade and food.

Wildlife conservation efforts have moved toward community partnerships to ensure that solutions work for both the local inhabitants and the wildlife. The International Fund for Wildlife and the African Wildlife Trust worked with the local Olgulului-Olalarashi Group Ranch (OOGR) community in Amboseli to protect 26,000 acres to allow the elephants to move safely between the park and the mountain. They leased this land from the local community to protect it from unsustainable development, fencing, agriculture and damage. The conservation plan doesn’t stop here—it addresses education for local children, training of community rangers, sustainable tourism and infrastructure, with revenue flowing directly to the community.

I was excited to visit the Kitenden Wildlife Corridor in its early stages, eager to see the “before” in anticipation of the “after.” There is no regular tourism in the area yet, so I turned to a Masai guide—no, a Masai friend—who had shown me the wonders of Amboseli in the past. Eric Ole Kalama loves elephants. He worked for years at the Amboseli Trust for Elephants (ATE), recording the movements, the happy births and the sad deaths of the various herds. When you visit Amboseli with Eric, you greet the elephants by name. He carries a book with photographs in case his memory, which is usually right, fails him. He continues to record his sightings and shares with ATE. Eric also worked on the Kitenden project.

The Photo Experience In Kenya’s Kitenden Wildlife Corridor

Each morning, before the sun came up, we bundled into our safari vehicle and drove toward the mountain. The approach to Kitenden Wildlife Corridor still bears the wounds of unplanned development. Concrete block buildings topped with tin roofs and colorful signs promoting money transfers and western products line deeply rutted dirt roads. Wire fencing haphazardly clings to leaning posts or pools on the ground. We’d hear the happy cries of school children arriving for morning classes.

Soon, we’d turn off the road amongst brush and sandy paths. We’d weave our way through the rough terrain and, most times, dodge deep animal dens. Then we’d start to see the outline of the mountain at sunrise.

It is difficult to describe the sheer glory of an African sunrise. Deep reds, yellows and pinks explode in the sky. Zebra engulfed in dust clouds take on a golden glow as they dart away from the intruders. Acacia trees in silhouette provide the landscape we envision in our dreams of Africa. As the sun rises, the glaciers on Kilimanjaro take form and photographers abandon all restraint, motor drives whirring wildly as each moment is better than the last. And then, quickly, it is over.

Zebra joust in Kitenden Wildlife Corridor
Amboseli is rich in wildlife in addition to elephants. Zebra joust for position and leadership of the harem within their herd.

I always find a brief moment of peace when the sun rises above the horizon. Even though this is repeated each day, I am surprised at the beauty anew. Quiet, just for a moment, before life begins again. We have a couple hours of cooler temperatures before the sun becomes overpowering. Birds begin to move, we hear their calls increase, and the quest for elephants begins.

I also feel a moment of panic. As you look across the scrubby bushland, you see nothing other than birds. How on earth will we see elephants when there are none on the horizon?

Eric turns the vehicle with purpose toward the mountain. In a few short moments, we see a lone bull walking toward us. He appears to move in slow motion but covers an immense amount of ground in short order. He moves between us and the mountain—the quintessential Kilimanjaro photograph—periodically turning to look at us, finding no threat. His ears open and close against his head. Snap, snap; did I get the shot with him looking at me, mountain in the background, ears open, face to the light?

Behind him, we start to see bushes appear to move. As we pull our binoculars to our eyes, we see that these bushes are instead a large herd of elephants following the bull into the park. As they come closer, we count to 50, then 75, then at 100 stop counting. Mothers, babies, young males and sisters form a complex system within the herd. Though we are there to photograph, each one of us periodically drops our camera and just watches.

The maternal herd dynamics are fascinating. Mothers, who carry their babies for almost two years before birth, stay with those babies for many years. It is easy to recognize big sisters and little brothers through the stair-stepping of their height. Big sisters and aunts help with the care of the little ones. Young males practice their battles much like young humans practice sword fights with yardsticks and broom handles.

Herd of elephants, Kitenden Wildlife Corridor
A maternal herd walks a well-worn trail as they leave Amboseli National Park each evening.

Each day follows the same pattern but provides new and exciting sights: a coalition of cheetah hunt for prey; clouds of tiny white butterflies dance amongst the elephant herds; swarms of red-billed queleas rise up as a single organism and move from bush to bush; a leopard tortoise ambles, with surprising speed, from shade to shade.

The presence of community policing is evident but not overpowering. One morning, we looked up with surprise when we heard a motorbike approach. Eric and the driver spoke in the Masai dialect of Swahili, and he puttered away. We learned that he is one of the community members tasked with ensuring that if you are in Kitenden, you are allowed to be.

Another day, four men dressed in olive green uniforms approached us on foot. Eric introduced us to the rangers from the Big Life Foundation. Big Life was founded by British photographer Nick Brandt and Kenyan conservationist Richard Bonham. Their program has built up in a smart, effective manner, providing rangers, anti-poaching activities and predator compensation to communities. The rangers we met, armed only with their flip phones, didn’t have much opportunity to see the animals they were there to protect, so we invited them into our vehicle and drove into a large herd. The awe and wonder on their faces as they snapped photos of the elephants (and, curiously, of us) were one of the greatest gifts we received on this trip. After a few moments, they jumped out and returned to their patrols.

Planning Your Elephant Safari In Kitenden Wildlife Corridor

Development in Kitenden Wildlife Corridor is slow and deliberate, and not yet ready for full-scale tourism. Certain outfitters do have permission from the community to take limited numbers of guests into the conservancy. If you locate these outfitters, you can combine the richness of Amboseli National Park with Kitenden and potentially other private conservancies for an elephant experience you will never forget.

Equipment Recommendations

A wide range of focal lengths is important, as the various areas allow you different access to the animals. In Kitenden Wildlife Corridor and other surrounding private conservancies, I generally find that I am shooting between 150mm to 200mm. In Amboseli, where you must remain on the roads, a longer focal length is necessary. And, for the birders, there’s nothing like a long prime lens.

Male and female elephants, Kitenden Wildlife Corridor
We were surprised by a tender moment between a male and female before they mated.

Most safari vehicles provide bean bags, allowing you to steady your camera on the roof or windowsill. I have never found tripods or monopods of particular benefit when in the vehicle, but you might have opportunities for smaller species photography or nighttime exposures of the Milky Way at your lodge.

The best tip I can give is to bring at least two camera bodies if you intend to use multiple lenses. The conditions are extremely dusty, and changing lenses in the field can bring all kinds of problems. Plus, as that elephant walks toward your vehicle with its trunk outstretched, the last thing you want to do is ask him to wait while you change to a wide-angle lens.

Shooting from the vehicle allows you to work from a camera case that holds more than the typical backpack. However, you will likely be limited by weight if you travel on a scheduled bush flight. Ask your outfitter how they will accommodate excess weight. I usually hire a car to drive to the lodge, holding all non-camera gear, so we can take our kit on the flight.

When To Go To Kitenden

Kenya straddles the equator, so it enjoys fairly consistent conditions year-round. It’s best to avoid the rainy seasons, generally May and November, when the dirt roads become impassable.

Baby elephant in Kitenden Wildlife Corridor
There is truly nothing more joyful than a baby elephant playing in the water.

Additional Travel Considerations

  • The power sockets used are Type G3 — large flat prongs — and the voltage is generally between 220-240.
  • Lodges operate on gas- or solar-powered generators, which are turned on and off according to the lodge’s schedule. Usually the power is on in the morning and evening, but turned off during the day and after midnight. You will be able to charge batteries, cell phones and laptops but won’t be able to use small appliances like hair dryers.
  • Internet and WiFi are very specific to your lodge. Nowadays, most lodges have WiFi that is available when the power is on. Kenya also has an excellent cell phone system that allows you to upload photos from your trip to social media. Check with your cell phone provider before leaving about travel rates. Don’t count on internet during your stay, and be happily surprised when it is available.
  • Visas are typically required to enter Kenya. They can be purchased upon arrival, but lines are long. It is best to obtain a visa before you leave your home country.
  • Nairobi’s Jomo Kenyatta International Airport (NBO) is easily accessible by direct flights from Europe and the Middle East. Recently, there have been indications that direct flights from the U.S. will resume, but at present, you must take a connecting flight.
  • Domestic flights within Kenya have strict luggage weight restrictions. Fifteen kilograms (33 pounds) per person are allowed. Many times, not only will an excess baggage charge be incurred, but your bags may not be carried on your flight to your lodge.
Elephant in Kitenden Wildlife Corridor
Elephants face an uncertain future, with drought and habitat loss threatening their ability to thrive.

A trip to Kitenden Wildlife Corridor really requires you use an outfitter with access and wildlife experience specific to the area. A photo workshop or a guided safari will be the best way to maximize your wildlife viewing and ensure your safety and enjoyment. An added bonus is that your guide and your fellow travelers will become lifelong friends, as you will have shared a unique experience that few have been able to find.


See more of Michelle Guillermin’s photography at guillermin.com.

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Source: Outdoor Photography
Kitenden Wildlife Corridor

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Summer Sunrises And Sunsets Assignment Winner Paul Matthews

Summer Sunrises And Sunsets Assignment Winner Paul Matthews
Photo By Paul Matthews

Congratulations to Paul Matthews for winning the recent Summer Sunrises And Sunsets Assignment with the image, “Harmony.”

“This photo was captured from one of the trails leading out of the Loowit Overview just prior to reaching the Johnston Observatory in Mount St Helens National Volcanic Monument,” says Matthews. “While most people were composing shots of Mt. St. Helens, I noticed that the real light show was happening in the opposite direction. I particularly liked how the sky and the foreground wildflowers shared a similar color palette as Mother Nature was in perfect harmony.”

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Source: Outdoor Photography
Summer Sunrises And Sunsets Assignment Winner Paul Matthews

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Photo Of The Day By Clayton Peoples

Today’s Photo Of The Day is “Sawtooth Range Fog and Moon” by Clayton Peoples. Location: Little Redfish Lake, Idaho.
Photo By Clayton Peoples

Today’s Photo Of The Day is “Sawtooth Range Fog and Moon” by Clayton Peoples. Location: Little Redfish Lake, Idaho.

“Fog layers hang over Little Redfish Lake as the morning sun turns the Sawtooth Mountains a soft orange during sunrise. The moon is visible on the upper left (reflected in the lake on the lower left as well).

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Clayton Peoples appeared first on Outdoor Photographer.


Source: Outdoor Photography
Photo Of The Day By Clayton Peoples

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Photographer Profile: Angie Precure

Photographer Profile: Angie Precure
Yosemite National Park. I knew that the moon would be rising above the waterfalls, but we (my dad and I) weren’t sure if we were in the right place or angle for it. Thanks to my dad, we found the moon rising over the falls and I proceeded to set up my gear and photograph the nearly full moon as it peaked. Equipment: Nikon D810, 24-70 f/2.8, Gitzo Tripod, my Dad. Exposure: 28 sec., f/18, ISO 500 @ 35mm.

Photographer: Angie Precure

Amateur Photographer

Photographic Specialties:

  • Landscape
  • Wildlife
  • Travel
  • Other

Biography

I am a landscape photographer based in Oklahoma and when I am not traveling and photographing, I enjoy peaceful living in the country with my horse, two dogs, and my husband and kids.

Website

angieprecure.smugmug.com

Facebook

Instagram

 

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Source: Outdoor Photography
Photographer Profile: Angie Precure

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Behind The Shot: Sandblast Sunset

Behind The Shot: Sandblast Sunset At White Sands National Monument
Photo By Tim Williams

During the monsoon season of August 2015, I made my first trip to White Sands National Monument, accompanied by a great friend who had kindly invited me to join up for this adventure. The severity of the desert environment during the summer makes the concept of teamwork and mutual support a very wise mode of operation, and when you witness a display like we did that evening, you really are grateful to have a shared experience and someone to whom you can exclaim, “Is this real?” The lines and landforms were surreal, as was their interplay with the light. Remarkably, the image presented here was captured during our very first sunset at the location. Quite a welcome!

We’d intended to use the evening to get a “lay of the land” and perhaps identify interesting areas of the dune field to revisit. Late afternoon had been sweltering. Our tiny footprints on the 275 square miles of gypsum were made as we traversed a virtual heat reflector. Toward evening, after a nice period of softer light, things had turned decidedly dark, and cooler, which was welcomed. We ventured farther out. Now, the monsoonal weather pattern was about to teach us in dramatic fashion how quickly things can change.

Menacing darkness all around was punctuated by lightning from a billowing thunderhead off to our east. This was soon followed by a severe uptick in wind, as outflow from the storm reached us. The wind became gale force and bore a stinging mass of airborne sand. There was nothing to do but turn your back to it and brace yourself. Free dermabrasion! As we adjusted to this remarkable turn of events, hints of sunlight breaking through the cloud cover became apparent. The bursting forth of crepuscular rays seemed to happen all at once, creating a jaw-dropping, otherworldly scene across the dunescape. Severe wind or not, it was time to get the gear out!

Keeping hold of the tripod was a major factor, and I dared not let go. Even using the camera bag as weight, there was tripod movement. Despite the distant sunrays, the scene was actually rather dark overall, and the necessity for a higher ISO to obtain a shutter speed great enough to combat the windshake was evident. Thank goodness for modern full-frame sensors.

There was a dramatic bonus that came with the sandblasting: glowing against the darkness of the distant mountain range, a gleaming wall of sand that must have been hundreds of feet high. In fact, all of the cumulative airborne sand made the light rays that much more diffuse and magical. I found these wide, fanned beams and their interaction with the mountain layers to be one of my favorite shots from the event.

Needless to say, any discomfort was quickly forgotten while shooting this scene, and the trudge back out of the dunes after it subsided was quite satisfying. A memorable start to a great trip!

See more of Tim Williams’ photography at www.tim-williams-photography.com.

Nikon D600, Tamron SP 70-300mm F/4-5.6 Di VC USD at 170mm, Induro CLT204 tripod and Induro BHD3 ballhead. Exposure: 1/125sec., ƒ/16, ISO 800.

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Source: Outdoor Photography
Behind The Shot: Sandblast Sunset

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Photo Of The Day By Danielle Austen

Today’s Photo Of The Day is “Jesup” by Danielle Austen. Location: Acadia National Park, Maine.
Photo By Danielle Austen

Today’s Photo Of The Day is “Jesup” by Danielle Austen, who describes the image as, “Birch trees along the Jesup Trail, Acadia National Park, Maine.”

See more of Danielle Austen’s photography at www.danielleausten.com.

Photo of the Day is chosen from various OP galleries, including AssignmentsGalleries and the OP Contests. Assignments have weekly winners that are featured on the OP website homepage, FacebookTwitter and Instagram. To get your photos in the running, all you have to do is submit them.

The post Photo Of The Day By Danielle Austen appeared first on Outdoor Photographer.


Source: Outdoor Photography
Photo Of The Day By Danielle Austen

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Carry Your Camera Into Canyon Country

Carry Your Camera Into Canyon Country

If you’ve never spent time in the canyon country of the Southwest and you love to photograph landscapes, put it on your bucket list. A plethora of photographic possibilities provides endless potential. Red rock monoliths, river carved canyons, dramatic sunrise and sunset skies, snow-draped red rocks in winter, expansive vistas and more await those eager to take home winning images. Zion and Bryce Canyon National Parks, Monument Valley Tribal Park, Capital Reef, Arches and Canyonlands, The Grand Canyon, The Slot Canyons and others conjure up visions of grandeur. If you intend to head to canyon country, the following tips provide some ideas of how to bring back better images.

Carry Your Camera Into Canyon Country

HDR: Canyon country is made for high dynamic range captures. Towering peaks receive early or late light, yet the canyon floors live in deep shadow. In a single capture, if the exposure is set to maintain detail in the highlights, the shadows reveal little information. Conversely, if the exposure is set for the shadows, the highlights blow out. The solution is simple. Make a bracketed series of exposures that reveal detail from the brightest highlight to the deepest shadow. Depending on where you are in canyon country, the range can be five to seven stops. Run the bracketed series through HDR software such as Nik HDR Efex Pro or Photomatix. In simplified terms, the software extracts the optimum exposure from each file and blends them to create a single file that reveals detail throughout the bracketed range. There’s a learning curve to the software, but the results make it worth the time and effort.

Carry Your Camera Into Canyon Country

Bring ’Em All: Canyon country and wide-angle lenses go hand in hand. Most of the iconic images made at all of the above-listed destinations are made with wides. In some cases, the big sky look, the tall canyon walls, and huge monoliths require super wides. That being said, don’t leave the long zoom home, as many hidden gems can be found if you isolate details of a lone tree growing out of a rock, a moon rising under an arch, a single formation with a dramatic sky or any other intimate portion of the landscape. Just as a heads up, when I photograph the amphitheater of Bryce Canyon, many images are made with my 80-400mm.

Carry Your Camera Into Canyon Country

Never a Bad Time Of Year: Fall brings crisp, blue skies and autumn-colored cottonwoods. The crowds have also dispersed from the summer season. Winter is also a fabulous time to visit canyon country. If you can plan a spur-of-the-moment trip to coincide with a fresh snow, it’s a home run. Snow on red rocks is a killer combo. It can get surprisingly cold, so dress appropriately and be careful, as the snow-covered red rock is slick. Spring finds comfortable temps and less people. If the area you visit has trees, spring buds and fresh green color add a nice counter point to the red rock and blue sky. Additionally, wildflowers can be found. Summer is a good time to visit canyon country because dramatic afternoon storms provide amazing skies and rainbows. The downside is the weather is very hot.

Show Scale and Depth: The immensity of canyon country is hard to depict, as the land seems to go on forever. Showing scale adds interest to an image. Include a point of reference such as a foreground tree, dead snag, common bush or even a person to show perspective and create depth. Use a wide-angle lens to pull this off. Stop the lens down to its smallest opening to provide lots of depth of field. You want to have the most foreground and most distant background objects sharp. Get close to the foreground element to exaggerate its size. Use your depth of field preview button to confirm sharpness from foreground to background.

Carry Your Camera Into Canyon Country

Early and Late: The best time to photograph canyon country is sunrise and sunset. Your images will have the effect as if someone turned on a light switch from inside each formation that makes it glow. Warm light on the red, orange and yellow colored rocks is magic. The light at these times of day is unsurpassed. If the contrast exceeds what your sensor can capture in a single image, follow the HDR tip above. If the formations, such as those in Monument Valley, are stand alone, then HDR isn’t necessary.

So, venture off into the world of red rock heaven and have some fun. The photo possibilities are endless.

Visit www.russburdenphotography.com for information about his nature photography tours and safari to Tanzania.

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Source: Outdoor Photography
Carry Your Camera Into Canyon Country

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